Greazy Meal’s heyday was in the late 90s and early 00s when they put out a couple CD’s and became the house band at The Cabooze. Since then, the band has dispersed a bit, drawn into careers and day-jobs. One does studio work in California while another lives in Germany. The rest are in the music business in one way or another, either production, studio work or touring with national acts. As you can imagine, getting 8 people together to do a show can be a bit tricky.
I know three of the guys, Jim Anton, Ken Chastain, and Tom Scott from a prior band, Beat the Clock. A friend of mine was their sound man, which is how I first found out about them. They toured the Midwest and the local bar scene in the early 90s. I managed to catch nearly every show they did in the Twin Cities. I came to know the guys decently enough and always loved their stuff, so you’d think I’d have caught their new band too. Such is not the case.
This weekend they did a rare, two-show run at The Fine Line and I was not going to miss it. Greazy Meal always packed the house and got great reviews back when they were playing The Cabooze, so it was bound to be a good show.
I was worried for a while. Saturday night already had too many things to choose from (Sigur Ros, Lavay Smith, Kaki King, my high-school reunion), but it all worked out. Greazy Meal’s first show was Friday night and I had it open.
The opening act was a group called either Wisley or the Willy Wisely Trio (although there were five people on stage,) I heard them referred to as both. He did a good job and I enjoyed his set. Unfortunately the crowd was still pretty thin at that point, so he really didn’t get the response he deserved.
After a quick turnover, Greazy Meal took the stage in front of an enthusiastic audience.
If you’re into the Twin Cities music scene you’ll appreciate their pedigree. Alphabetically there’s Dave Anania on drums, Jim Anton on bass, Tommy Barbarella on keyboard, Ken Chastain on percussion, Julius Collins on vocals, John Fields on guitar, Brian Galagher on sax and flute, and Tom Scott on other sounds and vocals.
Jim, Ken, and Tom were in Beat the Clock, the rest of the guys would join them on stage every so often. That experience pays off in how easily they can share the stage. It helps to create a great vibe that resonates with their 70s and 80s soul/funk/rock sound.
Early in the show I noticed there was a couch on stage. I didn’t understand at first, but it’s called the “Davenport of Love.” Situated immediately in front of the drum kit, audience members are welcome to come on stage and take a turn. Too self-conscious to get up there myself, I’m told you can feel each beat down to your bones.
Right away, and through their whole show, Greazy Meal’s energy fed into the crowd. It created a Friday-night, party atmosphere that felt like it could go all weekend. Alas, after a 2½ hour show, it had to end.
I met Willy Wisley after the show while he was talking to my friend John. I stopped on my way out to say good-night to John and he introduced himself. He came across as a very nice guy, down to earth and very accessible. It’s little things like that that can get someone to check out your band while they may not have before. I know it worked for me and I’m definitely going to check out his music. Based on what I saw on stage, I don’t think I’ll be disappointed.
Hopefully it won’t be an entire year until Greazy Meal’s next show. Regardless of when it is, you can bet I’ll be there! After all, I need to take my ride on the Davenport of Love.